Telling Ethically Responsible Stories on Technology with Lauren Goode | Ep. 007
This week's guest is Lauren Goode, a senior writer at WIRED. Lauren is an Emmy award winning journalist who covers all things tech. Before arriving at WIRED, Lauren was…
Public Podcast episodes
This week's guest is Lauren Goode, a senior writer at WIRED. Lauren is an Emmy award winning journalist who covers all things tech. Before arriving at WIRED, Lauren was…
Today on the podcast I am chatting with Steve Fiffer. Steve Fiffer is a prolific author who has written 16 books, several screenplays, and dozens of articles on a range…
This week on the podcast I am chatting with Lisa Kay Solomon. Lisa does it all. She is a speaker, an author, and an educator focused on helping leaders learn…
I'm so excited to welcome our first musician to the show: Max Cowan. Max is a keyboard player based out of Berkeley, California. In his music, Max uses elements…
This week I am joined on the podcast by Chris Smith. Chris Smith is a columnist at my hometown newspaper, The Press Democrat -- a paper which recently won the…
On this week’s episode I am joined by academy award winning movie producer, Steve Starkey. Starkey, who always teams up with director Robert Zemeckis, has produced films such as: Allied,…
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“When we’re playing really well together but we’re also creating characters and moments that make the audience gasp, that’s like… the best.”
Lisa Rowland is a professional theatrical improviser. She is a member of BATS Improv, Northern California’s most acclaimed and longest running improvisational theatre company, and in 2012, Lisa was voted Best Actor by the SF Bay Guardian’s Reader Poll. Off the stage, Lisa is a lecturer at Stanford University in the Theatre Department, teaching the same beginning improv class that put her on the path of improvisation.
In this conversation, the first episode of The Austin Meyer Podcast, Lisa and I discuss how she became a professional improviser, what it takes to captivate an audience when a story is being made up on the spot, and what other storytellers can learn from the spontaneity of theatrical improv.